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David Cronenberg returns to his roots

After eight years of absence from the director’s chair of feature films, the renowned filmmaker David Cronenberg makes a comeback with Future Crimes, a science fiction film that lasted 20 years. The project is featured in official competition at this year’s Cannes Film Festival and is set to premiere in June. In futuristic history, humans have evolved to the point where their bodies adapt to the realities and problems that we ourselves have created – but how does this change the perspective of human existence?

If that sounds too philosophical to you, just take a look at the trailer for Future Crimes, and you’ll find that Cronenberg dives deep into the rabbit hole of life’s big questions. More than that, the director is clearly going back to his body horror roots, with footage that’s sure to make us cringe watching it. So, of course, this looks like David Cronenberg at his best.


Additionally, the trailer reveals that Cronenberg – who also wrote the screenplay – pulled out all the stops to make Future Crimes look as far away from our current reality as possible. In the span of a single minute we see medical procedures being performed inside a sarcophagus-like structure, individuals with bodily organs in positions they shouldn’t be, abstract goo stuff (there’s no better way to describe it), and people having a snack made out of… plastic. And that’s just the trailer!

Picture via NEON

RELATED: The Enduring Appeal of Body Horror

Future Crimes is a return to Cronenberg form. Over the past few years, the director has made powerful, philosophical and acclaimed films like A history of violence and Cosmopolisbut some fans missed the particular style for which Cronenberg became known in modern classics like Fly and Videodrome.

In an official statement, the director himself dissected the ideas for the film, teased fans about his work, and revealed what sorts of questions he helps put in people’s minds with the story:

“‘Crimes of the Future’ is a meditation on human evolution. Specifically – how we had to take control of the process because we created such powerful environments that hadn’t existed before. [The movie] is an evolution of things I’ve done before. Fans will see key references to other scenes and moments from my other films. It’s a continuation of my understanding of technology as a connection to the human body. Technology is always an extension of the human body, even when it looks very mechanical and unhuman. A fist is strengthened by a club or stone that you throw – but ultimately that club or stone is an extension of some power that the human body already possesses. At this critical crossroads in human history, one wonders: can the human body evolve to solve the problems we have created? Can the human body develop a process to digest plastics and man-made materials not only as part of a solution to the climate crisis, but also to grow, thrive and survive?”

The characteristics of the starry cast Viggo Mortensen (green paper), Kristen Stewart (spencer), Léa Seydoux (no time to die), Scott Speedman (underworld), Welket Bungue (Berlin’s Alexanderplatz), and Don McKellar (Blindness).

Check out the official synopsis here:

As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his companion Caprice (Léa Seydoux), Saul Tenser (Viggo Mortensen), a famous performance artist, publicly stages the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator for the National Organ Registry, obsessively follows their movements, which is when a mysterious group is revealed… Their mission: to use Saul’s notoriety to shed light on the next phase of human evolution.

Future Crimes will premiere at this year’s Cannes Film Festival, which kicks off on May 17. After that, the movie is set to premiere in theaters in June. A specific date has yet to be announced by Neon.

You can check out the poster and trailer below:

Picture via NEON


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