Extendable trailer designs

Kristen Stewart and body horror

The full trailer for David Cronenberg’s Future Crimes unveils the shocking and disturbing synthetic world that Kristen Stewart must navigate.

The full trailer for Future Crimes unveils a sensational and disturbing synthetic world in which Kristen Stewart must navigate in the hope of discovering a shadowy organization. The film marks director David Cronenberg’s return to the horror genre for the first time since exist, his 1999 sci-fi feature about a video game designer and her bodyguard playing a dangerous virtual reality prototype. Although he is best known as a leading figure in cinematic body horror with titles such as Enraged, Videodromeand FlyCronenberg’s work post-exist biased drama, no longer addressing the complex themes his past films dared to illustrate.

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Future Crimes, on the other hand, goes deep into the director’s favorite subject and concerns a human society located in the future and which must adapt to a synthetic environment. Viggo Mortensen stars as a performance artist whose body undergoes a drastic transformation, flaunting it publicly in shocking avant-garde shows as seen in the Future Crimes trailer released several weeks ago. He and his companion, played by Léa Seydoux, are struggling with the investigator of Kristen Stewart of the National Organ Registry.

Related: Everything We Know About David Cronenberg’s Future Crimes


Distributer NEON shared the full trailer for the film ahead of its Cannes Film Festival premiere. It shows many new scenes compared to the teaser, such as Mortensen and Seydoux entwined in bed and Stewart’s character confronting Mortensen, stating, “Surgery is the new sex.Several new cast members are also revealed, including Denise Capezza, Lihi Kornowski and underworld actor Scott Speedman. Check out the trailer below:

Click here to watch the original video.

The images are indicative of a good return to form for Cronenberg, who is no stranger to the weird. The trailer’s imagery is provocative and utterly unique, traits that have historically set the director’s art apart from nearly all others in cinema. His ability to merge the basic ideas of science fiction and horror with the abject realities of the human body is evident in Future Crimes, as the characters conduct gruesome polls on each other in dilapidated buildings and find pleasure in opening each other up. Once again, its recurring motif of organic technology is ubiquitous, with wriggling chairs and human-sized modules scanning and drilling into Mortensen’s midsection.


While the themes of the film are prominent in the trailer, the plot is not, which may ultimately be a good marketing strategy to attract viewers for NEON’s large-scale release in June. The synopsis mentions a “mysterious group,” though one can only guess which of the characters in the trailer belong to them (if any), and their goals are even more hazy. The lack of information generates intrigue, particularly because the motivations of Stewart’s character are both indeterminate; his strained relationship with Mortensen and Seydoux could lead to a very unsettling climax that establishes Future Crimes as one of Cronenberg’s best films.


More: Is Cronenberg’s Future Crimes a remake of his 1970 film?

Source: NEON

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